“Way 2 Sexy” – with Future and Young Thugġ3. “In The Bible” – with Lil Durk and Giveonħ. “Demons” – featuring Fivio Foreign and Sosa GeekĤ. “D4L Freestyle” – with Future and Young Thugġ0. “Girls Love Beyoncé” (featuring James Fauntleroy)ģ. “After Dark” – featuring Static Major and Ty Dolla Signġ1. “Don’t Matter to Me” – featuring Michael Jacksonġ1. “Hotline Bling” (bonus track) Scorpionġ0. “One Dance” – featuring Wizkid and KylaĢ0. “Faithful” – featuring Pimp C and dvsnġ2. “30 For 30 Freestyle” (performed by Drake) Views (2016)ĩ. “6PM In New York” What A Time To Be Aliveġ1. “Wednesday Night Interlude” (feat PartyNextDoor)ġ7. 2 Chainz & Big Sean) If You’re Reading This It’s Too Lateġ0. “Pound Cake” / “Paris Morton Music 2” (featuring Jay-Z)ġ5. “Hold On, We’re Going Home” (featuring Majid Jordan)ġ3.
“Hate Sleeping Alone” Nothing Was the Same (2013)Ĩ. “HYFR (Hell Ya F**king Right)” – featuring Lil WayneĢ0. “The Real Her” – featuring Lil Wayne and André 3000ġ6. “Make Me Proud” – featuring Nicki Minajġ4. “Buried Alive Interlude” – featuring Kendrick Lamarġ0.
“I’m Goin’ In” (featuring Lil Wayne & Young Jeezy)ħ. “Successful” (featuring Trey Songz & Lil Wayne)Ĥ. Every album listed below showcases the entire album’s track listing. We have also included all original release dates with each Drake album as well as all original album covers. All these hot Drake albums have been presented below in chronological order. This Drake discography also includes many of the most popular compilations albums. Credit to all concerned for maintaining it for a whole album, which, if you can buy into Drake's rich-boy blues, ranks with the year's best.This Complete List Of Drake Albums And Songs presents the entire discography of Drake studio albums. This is less chillwave than illwave Karaoke and The Resistance are like the loveliest muzak, only tortured and twisted by Autechre.Īnd it never lets up. No wonder there are shout-outs to everyone from Sade to The xx and Neon Indian on the sleeve–the atmosphere of sumptuous somnolence is interrupted by unexpected drum detonations, guitar bursts and keyboard spikes. Kayne, Timbaland and Swizz Beatz contribute, but much comes courtesy of Canadians 40 and Boi-1da, who've created a striking dreamscape for Drake to wander with his nasal raps and saccharine croon. Thank Me Later has been rapturously received for its edgily languid sonics. that I didn't know last year", while on Cece's Interlude he wishes he could go back to being a simple upper-middle-class undergrad: "I just want what I can't have," he sighs. "What am I afraid of? / This is supposed to be what dreams are made of," he asks on The Resistance, wondering, "Am I wrong for making light of my situation?" On Over he finds himself in a room with "way too many people. The reason for the extreme reactions is the relentless solipsism evidenced here –Pitchfork's reviewer counted a record number of first-person pronouns for a rap album–and the sustained mood of self-pity. He's had several chart hits while Thank Me Later–which features Alicia Keys, Jay-Z, Mary J Blige, Kanye, Timbaland and his mentor Lil Wayne–has polarised the critics to the extent that its release prompted the Village Voice to run an article entitled Why You Hate Drake, And Why You're Wrong About Hating Drake. In fact, as morose meditations on the miseries of fame go, it comes across like a rap version of Woody Allen's Stardust Memories or Deconstructing Harry.Īubrey Drake Graham doesn't mean much in the UK, managing only a miserable number 123 for his first single Best I Ever Had late last year, but in the States he's both cause celebre and bête noire. More heinous still, Thank Me Later is virtually a concept album about the loneliness and lovelessness of the successful celebrity, a sort of sequel to Kanye West's 808s and Heartbreak, only more audaciously dolorous because he's only just started. He's a handsome 23-year-old ex-actor from an affluent background who has effortlessly achieved even greater wealth via music that utterly refuses to flaunt its street-tough credentials. Drake is the Vampire Weekend of rap–he ticks all the wrong boxes, especially for a milieu that privileges poverty and strife.
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